Solf J. Kimblee Husbando

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Solf J. Kimblee
Original Name
ゾルフ・J・キンブリ
Romaji Name
Zorufu J Kinburī
Place of Origin
Amestris
Age
Date of Birth
Height
Weight
Blood Type
Bust
Waist
Hip
Submitted By
istherefood
Popularity # 4841
Like # 10934
Trash # 924
Description

Solf J. Kimblee, the Crimson Lotus Alchemist, sometimes referred to as the Crimson Alchemist, is a recurring antagonist in the Fullmetal Alchemist series. He is a former State Alchemist and special agent working under the direct orders of Führer King Bradley. Admittedly sadistic, Kimblee was imprisoned in Central City for several years after his official involvement in the Ishval Civil War for having infamously turned his unique brand of combustion-based combat alchemy on people who were not on his government-approved kill list. Due to conspiratorial acts at the top of government, Kimblee is officially exonerated of his crimes so as to serve as the Führer's hidden left hand in the secret battles to come. As a result of the schism between the storylines of the manga and the 2003 anime series, Kimblee appears prominently in both, but is a rather different character in each. His appearance is more thuggish as well, with his black hair left unkempt on top while his ponytail is wrapped almost entirely in pale yellow ribbon. Kimblee's eyes are amber and he dresses in a burgundy blazer over a T-shirt with a matching pair of slacks, when not in his military uniform. In the manga (and subsequently, the 2009 anime series based thereon), Kimblee is as much a philosopher as he is a psychopath. A gentleman artist through and through, he considers his alchemically-induced explosions to be of the highest aesthetic and aims to make them as "beautiful" as possible in terms of scope, destructive capability and sound - sound apparently being the most important criterion based on his oft-showcased keen ear for explosives and his manic enthusiasm for loud eruptions. Not so much immoral as amoral, he stands as an inquisitive, apathetic observer most of the time, assessing people and situations while throwing out morality and the concept of grey areas as contaminating factors. Driven by such mindsets as "survival of the fittest" and "to the victor go the spoils", Kimblee takes great pleasure in determining whether the will and/or strength of one person or party is capable of overpowering those of another and genuinely respects people of strong will and unshakable conviction, but cares little to nothing for human lives that are affected or even lost as a consequence of the conflicts that arise. Even his own life is accountable to his unconventional ideals and he is only too glad to put his existence on the line. Cool and mannerly, Kimblee is an avid philosopher and skilled rhetorician who argues his viewpoints well enough to silence most naysayers. However, he seems aware that his mindset and actions are not in tune with the popular veins of thought and actively shrouds these with gentlemanly decorum and clever semantics. As an analyst of human nature, Solf J. Kimblee understands exactly what needs to be said in order to hide his "heresy" from those who would not understand him. He is shown to be a very calculating and methodical man, able to seemingly perceive any and all matters at hand and use this information to better manipulate the situation, making him all the more dangerous. As such, Kimblee's manner of dress after leaving the penitentiary is an all-white three-piece suit with a matching fedora and purple tie as well as white overcoat. He ties his long, black hair into a neat ponytail, leaving two long strands loose in the front. He is tall and thin with piercing eyes colored amber in the 2003 anime, deep blue in the 2009 anime, and gray in the manga. In the 2003 anime series, Kimblee's personality is significantly less gentlemanly and more psychotic. His character is more openly sadistic and acts more often out of sheer pleasure, rather than towards any particular goal. Additionally, he seems to enjoy blood and death more than explosions, actively incorporating them into his combustive artistry rather than thinking of them as byproducts. The only thing that he retains from the original version is his nihilism, as he openly admits that he is killing just to prove that everyone, including himself, is worthless.

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